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"I can't help it," I gulped in my sleeve. "I did use to like Alfred Bennett. My heart almost broke when he went away. I used to be beautiful and slim, and now I feel as if my own fat ghost has come to haunt me all my life. I am so ashamed! If a woman can't cry over her own dead beauty, what can she cry over?" By this time I was really crying.,

"Dido?",

"I'm busy, Griffin," she began, and then broke off as she saw the girls. "Oh, here you are," she said to Elinor. "I was looking for you in the modeling room.",

"In the first place, I learned from Mr. Sarby that Isabella Dallas refused to marry Mr. Alymer, and that, far from being offended, he appeared to be glad of the release from his engagement. I also learned that he has since married Lady Meg Brance, who has always been so deeply in love with him. Will you be so kind, my dear major, as to explain this sudden misplacing of Mr. Alymer's affections?

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"Oh, Doris!" was all she found to say, as she stretched eager hands toward her.,

"Well, I didn't want you to expect too much," she said, with a gentle impatience. "If I'd praised it too much, you'd have been disappointed with the thing itself.",

So far the reader may wonder at the constituent elements of this story. African witchcraft, mysterious strangers, and barbaric women seem to be out of place when set in the sober framework of an English provincial town. But romance is not dependent upon landscape or on surroundings for its occurrence: it is to be found everywhere, and very often in the most unlikely places. Here, for instance, by some trick of Fate, certain people had come together, certain passions had been aroused, and now that the drama had been set in motion, it seemed likely that it would play itself out to a tragical conclusion. Tragical, certainly; for herein the elements of comedy seem to be wanting. But then Fate is so pessimistic.,

When the major had seen her carriage drive away he returned to look after the devil-stick, and examined it long and carefully. Undoubtedly it had been filled with fresh poison, and undoubtedly the poison, from the evidence heretofore set forth, had been prepared by Dido. Jen was more certain than ever that Etwald and the negress had stolen the devil-stick and had slain Maurice with it. But the theft of the body! It was that which puzzled him. He could understand why Etwald wanted Maurice removed from his path. He could explain, on those grounds, why the devil-stick had been stolen. But what reason could the pair have for the removal of the body? The poor boy had died, and his corpse could be of no use to those who had murdered him. Yet it had disappeared, and the only person who could give any evidence as to who had entered the room on that fatal night was Jaggard. But up to the present moment Jaggard had remained incapable of giving any clear evidence. Absolutely certain that Etwald was guilty, that Dido was an accomplice, Jen could not see his way to proving his case without the assistance of Jaggard.